VIS|ON

Stage design

Mapping

Graphics for events, tournaments, and shows

Animated screen setup

About us

We set the atmosphere for your event — from the first seconds to the final frame. We design your screen and stage setup, take your show script into account, and make sure your tournament, concert, show, or any other event is remembered for a long time. We create design and motion graphics, build a strong visual identity, and craft visuals for online broadcasts.

Cases

TI 2025 winline Pubstomp

Winline

2025

Motion Design

3D Modeling

Sound Design

VFX

Russia’s largest Dota 2 fan event, bringing together thousands of viewers for a shared watch party of The International Finals on massive media screens.

Built around a large-scale collective viewing experience, on-screen graphics play a key role—from announcements, timers, and infographics to transitions between show segments. The entire visual system must be fast, readable, and impactful to keep the audience engaged in the moment and amplify the emotions unfolding on screen.

Check Behance

WORKFLOW

01

Storyboard & Review of Provided Materials

We received the client’s design package and broke it down into functional blocks. We identified which elements required animation and which needed adaptation for large-format screens.

02

Asset Prep for Animation & 3D

We rebuilt the design into production-ready layers: set up the structure and prepared textures, models, and shapes. Everything was aligned into a unified system for the upcoming motion and 3D production.

03

Motion Animation for Screens

We built animations for all on-screen blocks. Motion timing and dynamics were tuned to keep the graphics readable from long distances and to match the show’s rhythm naturally.

04

3D Video & Scene Production

We produced 3D content based on the provided style: atmospheric videos, visual identity elements, and object/camera animations. We also worked on lighting and materials.

05

Assembly & Format Adaptation for the Venue

We delivered versions for different screens and resolutions, optimized the renders, and checked readability and contrast. We coordinated everything with the event’s technical team.

06

Final Export & Broadcast Prep

We packaged the full graphics set in a clear structure: archives, previews, and technical notes. Everything was prepared so the show team could quickly access and use the required elements.

FISSURE PLAYGROUND 2 DOTA

Fissure

2025

Design

Motion Design

3D Modeling

Sound Design

A major international Dota 2 LAN tournament that brought together the world’s top teams and thousands of fans in one venue.

The entire event structure relies on screen presentation: dynamic animations, tournament brackets, drafts, picks, timers, transitions between segments, and visual reactions to key in-game moments. The graphics must be fast, precise, and visually striking—maintaining the broadcast’s pace, helping viewers stay oriented, and amplifying the drama of every map.

WORKFLOW

01

Concept & Key Visual Idea

Development of the initial visual concepts: key visual options, compositions, color palettes, and approaches to translating the game’s atmosphere to the arena setting.

02

Multi-Screen System Adaptation

Bringing the selected concepts into a production-ready arena format: adapting graphics for different screens and aspect ratios, and ensuring the entire system works together in sync.

03

Finding the Motion Rhythm & Animation Style

Creating test motion frames to establish the overall style, animation pacing, and the movement logic of on-air elements.

04

Main Content Production

Full production of static and animated assets—from interface modules to broadcast graphics, including redrawing team logos for clean and accurate integration.

05

3D Mascot
Animation

Creating the mascot’s movements, poses, and reactions for different broadcast situations and on-screen moments.

06

Final Renders & Team Deliverables

Rendering all screen content and producing team-specific animations: walkouts, versus screens, map wins, match points, final triumphs, and champion moments.

FISSURE PLAYGROUND 2 CS2

Fissure

2025

Design

Motion Design

3D Modeling

Sound Design

A large-scale international Counter-Strike 2 tournament where top teams from around the world meet in one arena, delivering pure intensity and adrenaline to the audience. The event’s visuals set the pace of the entire show: clean information blocks, dynamic stats, bracket updates, timings, round graphics, and seamless transitions between program segments. Everything must run lightning-fast without visual overload—so viewers stay oriented throughout the matches and fully immersed in the atmosphere created by the players, the stage, and the broadcast.

WORKFLOW

01

Concept
& Key Visual Idea

Development of the initial visual concepts: key visual options, compositions, color palettes, and approaches to bringing the game’s atmosphere into the arena.

02

Multi-Screen System Adaptation

Bringing the selected concepts into a production-ready arena format: adapting graphics for different screens and aspect ratios, and ensuring the whole system runs in sync.

03

Finding the Motion Rhythm & Animation Style

Creating test motion frames to define the overall style, animation pacing, and the movement logic of on-air elements.

04

Main
Content Production

Full production of static and animated assets—from interface modules to broadcast graphics, including redrawing team logos for clean integration.

05

3D Mascot
Animation

Creating the mascot’s movements, poses, and reactions for different broadcast scenarios and on-screen moments.

06

Final Renders & Team Deliverables

Rendering all screen content and producing team-specific animations: walkouts, versus screens, map wins, match points, final triumphs, and champion moments.

WINLINE PRO LEAUGUE S3

Winline

2025

Design

Motion Design

Sound Design

HUD interface

A major CS2 tournament circuit that brought together the region’s top rosters and an audience for whom a match is more than a game—it’s a full show.
The event’s momentum is driven by a cohesive visual system: fast transitions, punchy score panels, clean map vetoes, player infographics, and instant reactions to key round moments.
The graphics act as the broadcast’s nervous system—sharp, immediate, and free of visual noise. They keep the pace, help viewers navigate the chaos of trades, highlight the drama of clutches, and turn every match into a focused, seamless visual flow.

WORKFLOW

01

Visual Concept
Development

Analyzing the tournament format, broadcast structure, and the pacing of a shooter. Developing the overarching visual idea: style, key accents, motion character, and the logic behind the on-screen presentation.

02

Screen
& Graphics Design

Designing key screens and info modules: map vetoes, tournament brackets, player stats, team panels, timers, and transition layers. Building a cohesive visual system.

03

Finding the Motion Rhythm & Animation Style

Creating test motion frames to define the overall style, animation pacing, and the movement logic of on-air elements.

04

HUD & In-Game System Elements

Designing HUD elements: round counter, player panels, health/gear, mini stats, and pop-up prompts. Optimized for instant readability and a clean visual flow.

05

SMM Content Package Development

Creating social media visuals: posts, promo graphics, match announcements, results, key moments, and dynamic short-form assets that match the broadcast style.

06

Final
Integration

Packaging all assets into a single production-ready set: screens, animations, HUD, templates, and technical files. Final polish and handoff to the broadcast team.

IEM ESL CHENGDU

Winline

2025

Motion Design

3D Modeling

Sound Design

The IEM Chengdu Winline broadcast keeps viewers at the heart of the action through a fast, fluent visual language: dynamic animations, clear tournament brackets, map vetoes, detailed player info modules and team stats, timers, and segment transitions that highlight key match moments, round-to-round drama, and the evolving storyline of the fight for victory.
This graphics package keeps everything easy to follow, amplifies the impact of what’s happening on screen, and maintains peak stream momentum from the first second to the last.

WORKFLOW

01

Working with the Client’s Source Visuals

Reviewing the provided graphic materials, adapting the style to broadcast requirements, and defining how the existing visual language will be translated into 3D and motion animation.

02

3D Character
Modeling

Building a detailed 3D model based on the provided visuals: refining the shape, textures, and materials, and preparing the structure for rigging.

03

3D Character
Animation

Developing the character’s motion set and emotional states: idles and event-driven reactions. Optimized for broadcast use.

04

Broadcast
Motion Graphics

Creating broadcast screen and element animations: transitions, pop-up modules, infographics, and key-moment accents. Aligning the visual behavior with CS2’s pacing.

05

Testing
& Integration

Validating the character and all motion elements in real broadcast conditions. Refining timing, pacing, contrast, and readability.

06

Final Prep
& Export

Packaging all animations and graphics into a single technical deliverable. Preparing files for the broadcast team, running final checks, and handing assets off to production.

Stage Visuals

LED stage content: backdrops, loops, intro/outro pieces, transitions, dynamic backgrounds, and accent animations;

Visual concept: event look & feel, key motifs, and a design system (color palette, typography, grid, animation rules);

Venue adaptation: LED formats and resolutions, safe zones, versions for different screens/aspect ratios, testing and previews;

Final deliverables: packaged renders and organized source files following a clear project structure—ready to hand off to the venue team and vendors.